- TitleJoy Division In Memory
- Reference2019-261/3/3/4
- Production date17-09-2007 - 17-09-2007
- London RecordsBiographyBiographyFounded in 1947 as a music distributor for Decca Records in North and Latin American territories, London Records, also known as London Recordings, became known for its stereophonic recordings of classical music. Decca also used the London Records imprint to distribute releases by American labels in the UK, including Chess, Atlantic and Motown. In the US, London Records was best known for its distribution of records by the Rolling Stones released before 1971. Polygram acquired Decca’s British interests in 1979. London Records became a semi-independent label, operated by Roger Ames. Ames moved to Warner Music Group in the 1990s, taking London Records with him. Warner Music acquired the London back catalogue from 1979 onwards, along with the London Records name and trademark. Decca retained ownership of the pre-1979 London Records back catalogue. The London Records label name was used by Warner Music for the UK-based artists acquired from Decca, including artists who recorded with the independent record label Factory Records, in particular Happy Mondays and New Order. Universal Music Group acquired Polygram in 1998 and took ownership of the pre-1979 London Records back catalogue, which is managed by Polydor Records in the UK and Mercury Records in the US. In 2010, Universal Music reclaimed ownership of the London Records trademark, licensing it back to Warner Music for use on reissues of recordings from the post-1979 London back catalogue under the Warner Records 90 imprint. The Warner Records 90 imprint reissued most of the post-1979 London Records artist roster plus a few titles from Warner Music’s ownership of the London Records label from 1998 onwards. Universal Music Group reclaimed and relaunched the London Records name in 2011, and Warner Music ceased using the name and brand identity for its Warner Records 90 releases. London Records became a subsidiary of Capitol Records in 2013 and now trades as an independent label.
- Scope and ContentSealed copy of the limited edition box set containing Joy Division's studio albums Unknown Pleasures and Closer and the compilation Still, designed by Peter Saville, Howard Wakefield and Daniel Mason with all new artwork for the albums. Issued on 12-inch 180gm vinyl. The outer box is grey hessian. The album sleeves are presented in the original paper stock but without the original artwork - textured plain black sleeve for 'Unknown Pleasures', plain white sleeve for 'Closer', plain grey fold out sleeve with ribbon for 'Still'.
- LanguageEnglish
- Level of descriptionITEM
- Repository nameScience and Industry Museum
- Joy DivisionBiographyBiographyJoy Division began in Salford in 1976. Guitarist Bernard Sumner (also known by the surnames Albrecht and Dicken) and bass player Peter Hook formed the band after attending one of the Sex Pistols gigs at Manchester's Lesser Free Trade Hall in 1976. The day following the gig, Hook borrowed £35 from his mother and bought a bass guitar from Mazel Radio on London Road, Manchester. Sumner already had a guitar. The pair rehearsed in Sumner’s grandparents’ house in Salford, their instruments wired into a gramophone instead of an amplifier. Sumner and Hook formed their first band with schoolfriend Terry Mason on drums. They tried to persuade another schoolfriend, Martin Gresty, to join as vocalist. When he declined, the band placed an advert for a singer in the Manchester branch of Virgin Records. Ian Curtis responded to the advert and was hired without an audition. Sumner, Hook and Mason knew Curtis from attending gigs in Manchester and got on well with him. The band was billed as Stiff Kittens on flyers for their first gig at the Electric Circus in Collyhurst, Manchester. The band was supporting Buzzcocks, and guitarist Pete Shelley and Buzzcocks manager Richard Boon suggested the name. The band changed the name to Warsaw shortly before the gig on 29 May 1977. This was a reference to the David Bowie song ‘Warszawa’ on his album Low. Two days before the gig, Tony Tabac joined Warsaw as drummer, with Terry Mason taking on the role of band manager. A month later, Steve Brotherdale replaced Tabac as drummer. Brotherdale also played in the punk band The Panik. Warsaw recorded five demo tracks at Pennine Sound Studios in Oldham, Lancashire in July 1977. Soon after the sessions, the band fired Brotherdale as drummer. The following month, Warsaw placed an advert for a drummer in Jones’ music shop in Macclesfield. Stephen Morris responded and met up with Curtis at his home. Curtis played Morris the demo tracks and the pair talked about their musical interests and the punk scene in Manchester. Morris joined Warsaw at a rehearsal at the Abraham Moss community centre in Crumpsall, Manchester the following week. Warsaw recorded tracks for a debut EP, An Ideal for Living, at Pennine Sound Studios in December 1977. They played the Swinging Apple in Liverpool on New Year’s Eve 1977, their last gig as Warsaw. A London punk band already had the name Warsaw Pakt and so, to avoid confusion, Warsaw renamed themselves Joy Division. The name came from the novel House of Dolls. Their first gig under the Joy Division name was at Pip’s Disco, Manchester, on 25 January 1978. In March 1978, RCA Records approached Joy Division to record a new wave cover version of a Northern Soul classic, ‘Keep on Keepin’ On’, for a compilation album. In April 1978, Joy Division met TV news reporter and broadcaster Tony Wilson and band manager Rob Gretton at a band contest, the Stiff/Chiswick Challenge, held at Rafters nightclub, Manchester. Gretton was also the house DJ at the nightclub. He was impressed by the band’s performance and offered to be their manager. Wilson was also impressed and, after being challenged by Curtis about why he had not yet put Joy Division onto his music show ‘So It Goes’, promised that they would be the next band he would showcase. Joy Division did not record the cover version for RCA Records. Instead the band recorded an album for RCA at Arrow Studios, Manchester in May 1978. They were not happy with the final mix and asked to be released from the RCA contract. Their debut record was the self-released EP ‘An Ideal for Living’, in June 1978. Tony Wilson’s late night music programme ‘So It Goes’ was cancelled before Joy Division was able to perform on it. In September 1978, the band made its television debut performing ‘Shadowplay’ on ‘What’s On’, Wilson’s music segment in the evening news magazine programme Granada Reports. In October 1978, Joy Division recorded two tracks for the Factory Records double 7-inch EP ‘A Factory Sample’. The band recorded with producer Martin Hannett at Cargo Recording Studios, Rochdale, Lancashire. They contributed two tracks, ‘Digital’ and ‘Glass’, to the EP. Joy Division then joined Factory's roster, with Gretton becoming a partner in the label to represent Joy Division’s interests. On 27 December, during the drive home from a gig in London, Curtis suffered his first recognised severe epileptic seizure and was hospitalised. He recovered in time to record a session for BBC Radio 1 DJ John Peel in January 1979. In April 1979, Joy Division recorded their debut album ‘Unknown Pleasures’ at Strawberry Studios, Stockport, with Hannett again on production. Factory Records released the album in June 1979. The band performed on ‘What’s On’ the following month and made their only national TV appearance on BBC 2’s ‘Something Else’ in September 1979. From October 1979, they joined Buzzcocks on their UK tour. This allowed the band members to quit their regular jobs and become full time musicians. Joy Division is known for not releasing album tracks as singles. The band’s debut single was the track ‘Transmission’, released in November 1979. In January 1980, Joy Division toured Europe. The gig at Kant Kino in Berlin inspired the track ‘Komakino’, which Factory later gave away as a 7-inch flexi-disk in June 1980. Before that, in March 1980 Joy Division recorded their second album, ‘Closer’, at Pink Floyd’s Britannia Row studio in London. Hannett was the record’s producer. The same month they released two tracks recorded as part of the ‘Closer’ sessions, ‘Atmosphere’ and ‘Dead Souls’, as an art package called ‘Licht und Blindheit’ through the independent French record label Sordide Sentimental. Curtis’s health deteriorated during the recording of ‘Closer’. Depressed about the restrictions his epilepsy placed on his ability to perform live, he made his first suicide attempt in April 1980. The band was due to tour the USA in May 1980, to promote ‘Closer’. Curtis’s death by suicide the evening before the band was due to fly over to the USA prevented the tour taking place. In June 1980, Factory Records released Joy Division’s final single, ‘Love Will Tear Us Apart’. The following month, the label released ‘Closer’. Following Curtis’s death, the remaining members of Joy Division re-formed as New Order.
- New OrderBiographyBiographyNew Order formed in 1980, following the death by suicide of Ian Curtis, singer in Joy Division. After Curtis’s death, the remaining members of Joy Division re-formed as New Order. The band’s first live performance was as a trio on 29 July 1980 at the Beach Club, Manchester. At the time, they had not yet decided on a name. In rehearsals, Bernard Sumner, Peter Hook and Stephen Morris took turns on vocals until Sumner eventually took on the role of singer. Sumner, Hook and Morris wanted to complete the line-up with a fourth member, and keyboard player and guitarist Gillian Gilbert joined the band in October 1980. As Morris’s girlfriend, Gilbert was well known by the band, and had played live with Joy Division. Gilbert’s first live performance with New Order was on 25 October 1980 at The Squat venue in Manchester. Her first recorded appearance with the band was a re-recording of New Order’s first single, ‘Ceremony’, with Gilbert on guitar. The re-recorded version was released in September 1981. New Order incorporated dance rhythms and electronic instruments into their new wave sound and were one of the most influential bands of the 1980s. They became the star band on Factory Records. Their 1983 track ‘Blue Monday’ was the best-selling 12-inch single of all time. Between 1981 and 2015, New Order released ten studio albums and 42 singles. Initially, New Order continued in the vein of Joy Division by not releasing album tracks as singles. From 1985 and the release of Low-Life, however, the majority of the band’s singles have been tracks taken from albums. New Order temporarily disbanded in 1993 following the release of the album Republic and the financial collapse of Factory Records. Individual band members worked on their own projects – Sumner formed Electronic with Smiths guitarist Johnny Marr, Hook formed Monaco, and Morris and Gilbert concentrated on The Other Two, the side project they started in 1990. New Order reunited in 1998 at the suggestion of their manager Rob Gretton, meeting up first to make sure that they all still got on. Gilbert left the band in 2001 to look after her children with Stephen Morris, and was replaced by Phil Cunningham on keyboards and guitar. Hook left New Order in 2007, following artistic differences with Sumner. Sumner put the band on a second hiatus in 2009, forming Bad Lieutenant with Cunningham. The 2011 New Order reunion saw Gilbert return on keyboards and Tom Chapman of Bad Lieutenant on bass. Hook sued New Order in November 2015 for a fair share in New Order’s royalties, a legal dispute that took almost two years to reach settlement. The band’s most recent studio album, Music Complete, was released in 2015. A recording of their live performance with Liam Gillick for the Manchester International Festival in 2017 was released the same year. The band toured extensively between 2018 and 2020.
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- Conditions governing ReproductionCopying of this material is not permitted as the museum does not have the rights or facilities to provide copies.
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- contains 7 partsTOP2019-261 Jon Savage Joy Division Archive
- contains 3 partsSERIES2019-261/3 Compilations and box sets
- contains 6 partsSUB-SERIES2019-261/3/3 Other compilations and re-issues